
This post's title popped up as a suggestion in the 'Subject' box after
I typed the word 'another.' Repetition seems to be a popular motif for
me; I had four different subject lines starting with 'another' to
choose from.
Today (Saturday) looks like an auspicious day for travel. Yesterday as
you are aware I managed to have a pleasant day off, sleeping until
noon and watching
the tennis match. After dinner I returned to the airport tent for
the evening roll-call, and I left at midnight on foot, frustrated that
the overnight flight schedule hadn't been posted in the three hours
I'd been waiting. When I got back this morning, I was kicking myself
to see that I'd missed two scheduled flights back to my secret city,
one at 2 am, the other at 5 am, and that the 2 am flight had had open
seats. I felt better after I saw one of my fellow travelers still
sleeping in the same chair and heard the same six names (including
mine) called from the roll-call roster that had been called last
night.
This morning, in contrast, the full schedule was available, and there
are four flights on tap back to the secret city, one which allegedly
has open seats. Maybe I'll sleep there tonight.
Last night's entertainment, apprehended in the airport lounge while
waiting in vain for the flight schedule to be posted, was necessarily
watching television films. Last night brought a double feature, A
Lot Like Love and Mrs. Harris.
A Lot Like Love is an awful film that seems to turn up again
and again on television, like a bad penny or an infomercial. Its first
scene takes place in an passenger aircraft, and despite the years of
experience that Hollywood has earned in building authentic-looking
passenger-aircraft sets, this one managed to seem completely fake and
cheesy-looking, like a sitcom set that had been pressed into emergency
service when the original, finely detailed set burned down in an
accidental fire set by a dropped cigarette.
The action then shifts to an airport, which looked nothing like
LaGuardia (and nothing like any real airport in the US), further
alienating this careful viewer. By the time the two main characters
end up on a no. 7 train elevated platform (that's how I know it's
meant to be LaGuardia), even the subway looks fake, as if they used
the F train platform at Ditmas Ave in Brooklyn instead. The
by-the-numbers set design flattens out the fluky aspects of the two
leads' relationship, which is what the movie is allegedly about: a man
and a woman who realize after six years of acquaintanceship that they
are meant for each other. I watched the female lead (green-eyed Amanda
Peet) move between multiple fully decorated and furnished apartments
and wondered why she needed this particular man (Ashton Kutcher) when
it was obvious from her décor that her life was so together.
That film was followed by the sleeper Mrs. Harris, a
made-for-TV movie from 2005, with the fantastic Ben Kingsley and
Annette Bening doing their thespian best in great costumes in front of
gorgeous sets. It's the story of the doomed Jean
Harris–Herman Tarnower romance. The Tarnower bedroom set is
fantastic, a softly-lit love den in gold and Chinese red, sporting two
incongruous twin beds with matching mustard coverlets beneath a boldly
patterned double headboard. In general the movie uses costumes and
sets to advance the drama and make it seem more cinematic and
exciting.
Today's somewhat blurry photograph is of the secret-village cat; I
took it this morning during my second encounter with Tabby. I had seen
the animal chasing around the night before last, and thought that it
was an ordinary aloof stray. Then this morning I found it in the
entryway to Tent 2, mewling and looking all adorable. Seeing this
little feline just makes me miss Ella, Sedre and Farkas—my cats at
home—even more deeply.
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